Photay with Carlos Niño featuring Randal Fisher and celia hollander

APPEARING: BROOKLYN MARATHON @ National Sawdust

Saturday, January 14, 2023

Photay - Synth, Electronics, Beyond, Carlos Niño - Percussion, Randal Fisher - Tenor Saxophone, Flute, Celia Hollander - Keys, Temporal Sound Expansion, Beyond

Photay is the alias of 29-year-old Woodstock, NY-based composer, drummer, DJ, producer and musical polymath Evan Shornstein. As Photay, he has recorded a quartet of albums that organically bring together intricate chamber-pop arrangements, post-techno electronic textures, and a love of Black Atlantic polyrhythms. With the London-based Afro-Latin group Penya, and the Tanzanian gogo musician Msafiri Zawose, Photay has made an album under the name WEMA (Swahili for “kindness” and “benevolence”), a multicultural celebration of rhythm and folkways. Photay’s music is built on positive intentions. Truly.

Flowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.

Water is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.

The sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”

Celia Hollander is a Los Angeles based artist and composer working with audio, scores, performance, installation and text. Her work critically engages ways that audio and the act of listening can shape temporal perception, generate narratives, question cultural infrastructures and cultivate social connection.